Prime Minister Narendra Modi’s birthday may have been on Wednesday, but the festive atmosphere continued on Thursday as well. Lyricist Manoj Muntashir at the Indira Gandhi Indoor Stadium presented the Prime Minister’s life dramatically through his latest cultural presentation “Mera Desh Pahla”. The program was inaugurated by BJP President J.P. Nadda did it. Chief Minister Rekha Gupta and Delhi Government Minister Kapil Mishra were present on the occasion. The musical saga was directed by Deepak Gattani and performed by singer B Prak. The staging began with the remembrance of Lord Rama, which showed the journey of Modi’s struggle and leadership parallel to the challenges before Rama’s coronation.
The story revealed the affectionate effect of childhood “Naru” to Vadnagar’s tea shop and mother Hiraben. After this, the Himalayas’ practice, underground struggle during the emergency, the activism of the Rashtriya Swayamsevak Sangh, from Gujarat politics to the Prime Minister’s post in 2014 were shown well. The presentation also outlined historical decisions such as Article 370 removal, triple talaq law, Ram temple construction in Ayodhya as fulfilling incomplete promises after independence. In the final scene, Modi was engraved as the craftsman of the 21st century India through symbols like Chandrayaan-3, Digital India, Economic Development and Surgical Strike. During this time, the whole atmosphere looked like a grand cultural festival or rock-conference, which brings out the strong and emotional image of “brand Modi”.
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If seen, Kapil Mishra has made the national capital a place of diverse culture -filled events since becoming the Minister of Arts and Culture of Delhi. In this sequence, through this grand program called “Mera Desh Pahla”, he presented special glimpses related to the life of Prime Minister Narendra Modi to the nation. It was not just a cultural evening, but an attempt to understand the saga of the most influential leader of Indian politics through art, music and emotions.
The style of Manoj Muntashir brought the audience to the early struggles of Modi’s life, the simplicity of childhood and mother -in -law, when they moved on the path of national politics with a feeling of penance and service. This story was not only a recast of events, but also an attempt to show symbolically how personal renunciation and penance could give direction to the national stream.
The end of Article 370, the triple talaq law and the staging of the contexts like Ram temple in Ayodhya give a message that the decisions of Modi’s tenure are not only political reforms, but the historical aspirations of Indian society are fulfilled. These scenes made it clear that the popularity of “Brand Modi” is not only based on administrative achievements, but also with cultural and emotional engagement.
Special notable is that India was presented as the future superpower in the final scenes. By adding the success of Chandrayaan-3, the revolution of digital transactions and the firmness of the surgical strike, the image was coined that Modi is not only the current leader but also the craftsman of the 21st century India. This message raised the belief in the minds of the audience that India now stands with confidence and pride on the global stage.
From a political point of view, this program confirms Modi’s image as a folklore whose story explains personal struggle and national uplift simultaneously. This is the reason that the event went beyond a birthday celebrations to become a cultural -political discourse.
However, such programs organized by Kapil Mishra and his team are making Delhi a platform not only the center of politics, but also a symbolic festivals of Indian culture and democratic leadership. When the life of a leader comes in front of the nation through art and culture, it becomes not just a reminder, but an inspiration. “My country was the first” a symbol of this inspiration, which gives the message that the future of India is not only in policies, but in the values and ideals that its leaders win and wake up.