A woman takes the biggest step in her life when she becomes ‘Mrs.’ from ‘Miss’. And during this change, a person holding his hand is ‘Mr.’ in the relationship. But what if that man never could understand him in true sense? What if the house she dreams of building a house never feels her own? What if he has to leave all his wishes for marriage? These are not an imaginary question; This is a rigorous truth for countless women. Zee5’s latest film Mrs. Mrs., which stars Sanya Malhotra in the lead role, leads this story forward. Hindi conversion of the much -ridden the Great Indian Kitchen, even though Mrs. may not be able to catch the raw intensity of the original film, but it makes you deeply restless.
Story
Zee5’s Mrs can be included in only two sentences. A newly married woman, Richa (Sanya Malhotra), is tired of trying to accommodate in the house of her husband Diwakar (Nishant Dahiya) and finally leaves her. While she becomes a school dance teacher and fulfills her dream, her husband gets married again. But between these two circumstances, the main character is just the story of Mrs. The 1 -hour 40 -minute film has been shot in a house in UP. Except for one or two shots, the entire film is shot inside the house and it also has 90% kitchen scenes.
Every shot of the film has an important role and not a single scene has been wasted. In the first 15-20 minutes you can see that a middle-class wife and bride are asked to handle the kitchen and the entire house after the end of the wedding celebrations and the relatives. Not only is the mother -in -law responsible for teaching her, but the inappropriate rules of this toxic house also leave everything to live with their pregnant daughter on the new bride, but also make her life difficult every day, instead of helping the father -in -law and husband, poor woman. No one should have any wrong idea, there is no shouting, domestic violence, extramarital affair or abuse, but only mental torture, killing of dreams and aspirations, falling standards and even unwanted love affairs.
We saw a lonely woman in the house, washing, cutting, peeling, peeling, making chutney on the mill, wearing a chip, rolling, and then serving the meat, serving food, cleaning the table, serving the table, cleansing and arranging the kitchen, then cleaned and arranging the kitchen so that the same can be repeated during the evening’s breakfast, the evening’s meal and the dinner. There are small examples that have been largely made in the name of family traditions, and many of these shots take out patriarchy screams while the main character is numbered and the heart is broken. In addition, even after being the wife of a gynecologist, Richa is not only isolated during menstruation, but when she talks about her physical desires in front of this alleged educated medical expert, she is evident. The film exposes many important moments of middle class women and many important moments of pain and also shows a way.
Writing and direction
The writing of Mrs. Mrs is the specialty of the film. The crisp, emotional as well as logical writing of this film makes it a worthy remake of such a good original film. Dialogues are well mixed with background music and superb performance in the film, making anyone feel the pain of Richa. From vibrant to depressed, the set direction and design set the film’s tone well and reached the much awaited climax in the most biological way.
Mrs is directed at the top position, and congratulations to Aarti Kadav for the realistic depiction of most Indian married life. Many scenes are beautifully directed and presented which reflect patriarchy in the name of traditions despite changing times and alternatively ignoring modernity. In addition, the filmmaker has correctly demonstrated the adventure of the family that the bride is expected to handle the entire kitchen, to obey the elders, heat her husband’s bed, to be proficient in all domestic work and respect guests according to customs, but her own thoughts, opinions or even career should not be aspired.
Mrs. Mrs. is a distracted reflection of the truth that many women silently tolerate, which makes it worth seeing. Although it cannot fully hold the unfunded rawness of The Great Indian Kitchen, it presents a heart -wrenching portrayal of systemic patriarchy. With her powerful acting and poignant story stories, Mrs. forces the audience to face uncomfortable truths – not only sympathy, but also for introspection and change.
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